#ZONE OF THE ENDERS SOUNDTRACK YAMU FULL#

The intricate little details and drum rolls make this an exciting track, but it doesn't sound full enough to be a real boss track, despite all its dramatics.

'Neith (Risky)' screams danger and battle from the start as we hit the final boss themes. 'Flowing Destiny (Memories)' is a full piano/violin rendition that is more heartfelt than the previous versions that have been sprinkled throughout the album so far. 'Ada (Promise)' is a piano piece that takes its time to tread its path, and sounds all the better for doing so in a downbeat performance. 'Flowing Destiny' is a continuation of the song that leads it into peace and tranquillity making you smile. 'You Need This Done To You' is a tension-building piece that comes across like a space oddity before dying before your very own eyes. 'A Light With The Name Of Hope' takes you on piano/violin piece that's a beautiful bittersweet collaboration of a great tune that you'll hear in different guises throughout the album. 'Rock Thunderheart (Function)' is a dramatic piece like a showdown. The soundtrack finds its ambient roots again with 'Mountain (Who Can Read The Future?)', a piece of two halves, one ambient and one very much full of discord and drama. 'City (The Earth Light)' continues to edge the soundtrack towards the rave end of the electronic music scale with a piece like something you'd expect The Prodigy to release. This can also be said for 'Global 2 (Virus),' which has some nice rolling wooden percussion throughout. 'Radar (Pandemonium)' returns to the SFX smothered techno / rave hybrid with some nice extra drum effects to make this track fluster you.

'A Light With A Name Of Hope (Piano Arrange)' is short but since the main tune doesn't really jump out on you, it does seem rather lost and easily forgettable.

'Resident Block (SO2)' is a piece lead by a very muffled and quiet drumbeat showing underlying tension, while various sound effects and white noiz take the lead intertwining with a synth-guitar. 'Boss (Neves)' gets the pace flowing again with more balanced hardcore beats layered with high pitched vocal lines and hard panned bass lines making for a panic fused song that will raise your blood pressure somewhat! 'Celvice! This Way Quickly!' is a short and elegant piece lead by strings and piano with a slow beat that makes it unique in the album. After, the album slows down again for 'Are You Alright, Celvice?' which encases each aspect of the album in one piece. 'Global 1 (Forever And Ever)' is more melodic than most of the beat-infused songs, with soaring electronic arpeggios fading in and out. 'Flowing Destiny (Piano Arrange)' takes the soundtrack to new uncharted areas as a beautifully pristine piano piece that's understated and heartfelt. It leads, as many of the tracks do, effortlessly into 'VR (The Forth Dimension)', which is a faster paced techno piece that's full to the brim with grizzly sounds. 'Factory (Vivid Transparency)' is a synth-infested early 1990's rave / techno hybrid that's easy on the ears but great to stomp along to. The album builds up to 'Leo Stenbuck (Break Out)', which glides effortlessly between ambient and techno ambient as the build up continues to produce a nice string piece at the end before finally the soundtrack's legs are let loose at full speed after a long build up. 'Title (The Origin)' starts off the album in an ethereal vocal piece that sets the mystical and tense scene for 'Introduction', an ambient piece. ( Zone of the Enders) is a techno-based bonanza, which is enveloped in lush string arrangements and standout vocal tracks, and peppered with heartfelt piano pieces to make it standout as a classic soundtrack that could appeal to most listeners' senses.

Zone of the enders soundtrack yamu